TRACKS : 01. Manhattan 02. I Can See You 03. I Need No Atmosphere 04. Stay with Me 05. Rose of Washington Square 06. In the Middle of a Kiss 07. You Tell Yourself 08. I'll Close My Eyes 09. Love 10. Lonely Town 11. Someday I'll Find You MUSICOS : David Rose (voc) Dan Levinson (woodwinds) Tal Ronen (b) Mark McLean (dr) Special guest: Bucky Pizzarelli 💙💙💙💙
TRACKS : 01. I Changed The Rules 02. Comes Love 03. Are You The One? 04. Sway 05. Miss Brown 06. Lovers, Secrets, Lies 07. Fool On The Hill - Nature Boy 08. Ain't Misbehavin' 09. Come Live Your Life With Me 10. Spinning Wheel 11. You Stepped Out Of A Dream 12. Rainbow Connection MUSICOS : Piano, Vocals – Peter Cincotti Tenor Saxophone – Scott Kreitzer (tracks: 2, 5, 11) Bass – David Finck Drums – Kenny Washington
TRACKS : 01. Cold Little Heart 02. Black Man In A White World 03. Falling 04. Place I Belong 05. Love & Hate 06. One More Night 07. I’ll Never Love 08. Rule The World 09. Father’s Child 10. The Final Frame MUSICOS : Acoustic Guitar, Electric Guitar, Lead Guitar – Michael Kiwanuka Backing Vocals – Jay Abdul, Ladonna Harley-Peters, Paul Boldeau, Phoebe Edwards Bass, Percussion, Synth [Pad] – Brian Burton Cello – Bryony James, Rosie Danvers Double Bass – Richard Pryce Drums, Piano – Inflo Strings – Wired Strings Viola – Emma Owens, Naomi Cohen Violin – Anna Croad, Debbie Widdup, Eleanor Mathieson, Gillon Cameron, Jenny Sacha, Kotono Sato, Patrick Kiernan, Sally Jackson, Natalia Bonner Drums, Percussion, Handclaps – Graham Godfrey Bass, Double Bass – Pete Randall Electric Guitar – Miles James Keyboards – Paul Butler Saxophone, Flute – Gary Plumley Violin – Andy Parkin 💙💙💙💙
Alfred McCoy Tyner (December 11, 1938 – March 6, 2020) was an American jazz pianist known for his work with the John Coltrane Quartet and a long solo career. He was a NEA Jazz Master and a five-time Grammy winner. Not a player of electric keyboards and synthesizers, he was committed to acoustic instrumentation. Tyner, who was widely imitated, was one of the most recognizable and most influential pianists in jazz history. Early life and family : Tyner was born in Philadelphia, as the oldest of three children of Jarvis and Beatrice (Stevenson) Tyner.He was encouraged to study piano by his mother. He began studying the piano at age 13 and within two years music had become the focal point in his life. He studied at West Philadelphia Music School and later at the Granoff School of Music.During his teens he led his own group, the Houserockers. When he was 17, he converted to Islam through the Ahmadiyya Muslim Community and changed his name to Sulieman Saud.Tyner played professionally in Philadelphia becoming part of its modern jazz scene.His neighbors in the city included musicians Richie Powell and Bud Powell. Career : In 1960, Tyner joined The Jazztet led by Benny Golson and Art Farmer. Six months later, he joined the quartet of John Coltrane that included Jimmy Garrison and Elvin Jones.He worked with the band during its extended run at the Jazz Gallery, replacing Steve Kuhn. Coltrane had known Tyner for a while growing up in Philadelphia.He recorded the pianist's composition "The Believer" on January 10, 1958; it became the title track of Prestige's 1964 album The Believer issued as a John Coltrane record.He played on Coltrane's My Favorite Things (1961) for Atlantic.The band toured almost non-stop between 1961 and 1965, recording the albums Coltrane "Live" at the Village Vanguard (1962), Ballads (1963), Live at Birdland (1964), Crescent (1964), A Love Supreme (1964), and The John Coltrane Quartet Plays (1965), all for Impulse!. While in Coltrane's group, he recorded albums in a piano trio. In late 1962 and the first half of 1963, Tyner was asked by producer Bob Thiele to record more straightforward jazz albums as a leader. These albums included Reaching Fourth (1963), Today and Tomorrow (1964), and McCoy Tyner Plays Ellington (1965). Reviewing the album in 2017, Marc Myers of JazzWax said, "...the finest of these straightforward piano recordings was Nights of Ballads & Blues. Tyner's playing is exciting and exceptional on all of the tracks... On the album, he exhibits a reserved elegance and tenderness that reveals the other side of his personality—a lover of melody and standards. In this regard, there are traces of Oscar Peterson in his playing. Perhaps Thiele was using Tyner to take a bite out of Peterson's vast and successful early-'60s share of the jazz market."He also appeared as a sideman on many Blue Note albums of the 1960s, although he was often credited as "etc." on the cover of these albums to respect his contract with Impulse!. Tyner's playing style developed in close contact with Coltrane.His style of piano is comparable to Coltrane's maximalist style on saxophone.Writing in 2019, Sami Linna at the University of the Arts Helsinki, noted that Coltrane described the two different directions in his playing as: "playing chordally (vertically) or melodically (horizontally)". Linna suggests: "Tyner would eventually find a way of dealing with the two directions simultaneously, in a manner that was supportive and complementary yet original and slightly different from Coltrane's approach." After 1960 Coltrane did not hire anyone at the piano if Tyner was not available; between Tyner joining the group (around the end of May 1960) and leaving (in December 1965), there was nobody else at the piano accompanying Coltrane. Post-Coltrane : Tyner's involvement with Coltrane came to an end in 1965. Coltrane's music was becoming much more atonal and free; he had also augmented his quartet with percussion players who threatened to drown out both Tyner and Jones: "I didn't see myself making any contribution to that music... All I could hear was a lot of noise. I didn't have any feeling for the music, and when I don't have feelings, I don't play". In 1966, Tyner rehearsed with a new trio and embarked on a career as a bandleader. After leaving Coltrane's group, Tyner produced a series of post-bop albums released by Blue Note from 1967 to 1970. These included The Real McCoy (1967), Tender Moments (1967), Time for Tyner (1968), Expansions (1968) and Extensions (1970). He signed with Milestone and recorded such albums as Sahara and Echoes of a Friend (1972), Enlightenment (1973), and Fly with the Wind (1976), which included flautist Hubert Laws, drummer Billy Cobham, and a string orchestra. His music for Blue Note and Milestone often took the music of the Coltrane quartet as a starting point. Tyner also incorporated African and East Asian elements in his music. On Sahara he played koto in addition to piano, flute, and percussion. These albums have been cited as examples of innovative jazz from the 1970s that was neither fusion nor free jazz.On Trident (1975) Tyner played the harpsichord and celeste, instruments heard rarely in jazz. During the 1980s and 1990s, Tyner worked in a trio that included Avery Sharpe on bass and Louis Hayes,then Aaron Scott, on drums.He made solo albums for Blue Note, starting with Revelations (1988) and culminating in Soliloquy (1991).After signing with Telarc, he recorded with several trios that included Charnett Moffett on bass and Al Foster on drums. In 2008, he toured with a quartet of Gary Bartz, Gerald L. Cannon, and Eric Gravatt. On June 25, 2019, The New York Times Magazine listed McCoy Tyner among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire. Tyner is considered to be one of the most influential jazz pianists of the late 20th century, an honor he earned during and after his time with Coltrane. Tyner, who was left-handed, played with a low bass left hand in which he raised his arm high above the keyboard for an emphatic attack. His right-hand soloing was detached and staccato. His melodic vocabulary was rich, ranging from raw blues to complexly superimposed pentatonic scales; his approach to chord voicing (most characteristically by fourths) influenced contemporary jazz pianists, such as Chick Corea. Awards and honors : Tyner was named a 2002 NEA Jazz Master by the National Endowment for the Arts.He won five Grammy Awards, for The Turning Point and Journey and best instrumental jazz album for Illuminations, Infinity, and Blues for Coltrane: A Tribute to John Coltrane. Tyner was awarded an Honorary Doctorate of Music from Berklee College of Music at the Sala dei Notari during the Umbria Jazz Festival.Tyner was a judge for the 6th, 10th and 11th annual Independent Music Awards (IMAs). Fuente : Wikipedia. Descanse en Paz Maestro. TRACKS : (01) Naima (02) Moment's Notice (03) Crescent (04) After the Rain (05) Afro Blue [Mongo Santamaria] (06) I Want to Talk About You [Billy Eckstine] (07) Mr. Day MUSICOS : McCoy Tyner (piano) George Mraz (bass) Al Foster (drums).
TRACKS : 01. Bill Evans 4:49 02. Fictionary 7:11 03. Sienna 6:31 04. Lincoln Reviews His Notes 7:39 05. Hard Eights 7:34 06. Something Left Unsaid 4:53 07. Trio #2 6:07 08. Where Are You From Today 5:30 play 09. Falling Grace Swallow 4:46 10. Trio, No. 2 5:26 11. On The Other Hand 5:02 MUSICOS : Lyle Mays — Piano Marc Johnson — Bass Jack DeJohnette — Drums
TRACKS : 01 - Runferyerlife 02 - Labor Day 03 - Little Swing 04 - Cats + Kittens 05 - The Well 06 - Bass Desires 07 - That's for Sure 08 - Modern Day Tuba MUSICOS : Bob Mintzer- tenor saxophone John Abercrombie- guitar John Patitucci- bass Peter Erskine- drums.
TRACKS : 01. In questo preciso momento - 4:06 (Giuseppe Barbieri) 02. Leggera - 5:16 (Giuseppe Barbieri) 03. È già sabato - 2:44 (Giuseppe Barbieri) 04. Stella di prima grandezza - 3:33 (Giuseppe Barbieri) 05. Pura ambra - 3:48 (Giuseppe Barbieri) con Mario Venuti 06. Sia - 5:09 (Giuseppe Barbieri) 07. Sono una grondaia - 3:46 (Giuseppe Barbieri) 08. Microcosmo - 3:56 (Giuseppe Barbieri) 09. Io che amo solo te - 3:20 (Sergio Endrigo) 10. In una stanza indifferenza - 4:05 (Giuseppe Barbieri) 11. La nuda verità - 3:31 (Giuseppe Barbieri) 💙💙💙💙
TRACKS : 01. "On Green Dolphin Street" (Kaper, Washington) - 6:26 02. "Shadrack" (MacGimsey) - 6:23 03. "What Is This Thing Called Love?" (Cole Porter) - 5:50 04. "Moon River" (Mancini, Mercer) - 5:37 05. "Gooden's Corner" - 8:14 06. "Two for One" - 7:41. All compositions by Grant Green except as indicated. MUSICOS : Grant Green - guitar Sonny Clark - piano Sam Jones - bass Louis Hayes - drums. 💙💙💙💙💙
TRACKS : 01 - One O'Clock Jump 02 - Blue Shadows and White Gardenias 03 - 'Ay Now 04 - Basie Blues 05 - I'm Gonna Move to the Outskirts of Town 06 - How Long Blues 07 - Royal Garden Blues 08 - Bugle Blues 09 - Sugar Blues 10 - Farewell Blues 11 - Cafe Society Blues 12 - Way Back Blues 13 - St. Louis Blues 14 - Rusty Dusty Blues 15 - Ride On 16 - Lost the Blackout Blues 17 - Time on My Hands 18 - It's Sand, Man! 19 - Ain't It the Truth 20 - For the Good of Your Country MUSICOS : Featured vocalists: Earl Warren, Henry Nemo and Jimmy Rushing 💙💙💙💙
TRACKS : 01. "Chicago" (3:06) 02. "Caravan" (3:23) 03. "Dream a Little Dream of Me" (3:12) 04. "Goody Goody" (4:05) 05. "Moonlight Serenade" (4:26) 06. "Night and Day" (5:36) 07. "Blues in the Night" (6:05) 08. "Sing, Sing, Sing" (3:21) 09. "Sophisticated Lady" (5:11) 10. "In the Mood" (3:43) 11. "Don't Get Around Much Anymore" (3:38) 12. "Take the "A" Train" (5:36) MUSICOS : Bill Champlin – teclados, voz Robert Lamm – teclados, voz Lee Loughnane – trompeta, bajo James Pankow – trombón Walter Parazaider – saxofón Jason Scheff – bajo, voz Danny Seraphine – batería, percusión, programación Tris Imboden – batería, harmónica
TRACKS : 01. Wouldn’t It Be Nice 02. Common Tones 03. You’ve Got to Hang On 04. I Married an Angel 05. Saber Rattle 06. How It Might Have Been 07. Where It Ends 08. The Song is You 09. Signed Dizzy, With Love 10. Bakin’ 11. If DW Were Here 12. Mr. Smith 13. Lessons Learned MUSICOS : Randy Napoleon (Guitar) Scott Wente (Bass) Will Crandell (Drums) Margherita Fava (Piano). 💙💙💙💙💙
TRACKS : 01. Epistrophy 02. Bye Bye Blackbird 03. Bésame Mucho 04. Segment 05. Evidence 06. Los Luchadores No Suspiran 07. You Stepped Out Of A Dream 08. Los Sueños Y El Tiempo 09. Dexterity MUSICOS : Marc Miralta: Bateria Perico Sambeat: Saxo Tenor Javier Colina: Contrabaix Guillermo McGill: Percusió George Colligan: Piano. 💙💙💙💙💙
