01. Eleanor Rigby
02. Freddie Freeloader
03. Round Midnight
04. All The Children
05. The Lady In My Life
06. Angel
07. Fundance
08. New Love
09. Return Expedition
10. A Child is Born.
MUSICOS:
Stanley Jordan (guitar);
Onaje Allan Gumbs (keyboards);
Charnett Moffett (acoustic bass);
Wayne Brathwaite (electric bass);
Omar Hakim, Peter Erskine (drums);
Al di Meola (cymbals);
Bugsy Moore,Sammy Figueroa (percussion).
01. "Blind Man, Blind Man" – 8:19
02. "A Tribute to Someone" – 8:45
03. "King Cobra" – 6:55
04. "The Pleasure Is Mine" – 4:03 (incorrectly labelled as 8:00 on the CD reissue)
05. "And What If I Don't" – 6:35.
MUSICOS:
Herbie Hancock – piano
Donald Byrd – trumpet
Grachan Moncur III – trombone
Hank Mobley – tenor saxophone
Grant Green – guitar
Chuck Israels – bass
Tony Williams – drums.
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on March 19, 1963. Originally released on Blue Note (4126).
Arrangements by the composer unless otherwise noted.
01. "Move" (Denzil Best, arranged by John Lewis) – 2:32
02. "Jeru" (Gerry Mulligan) – 3:10
03. "Moon Dreams" (Chummy MacGregor, Johnny Mercer, arranged by Gil Evans) – 3:17
04. "Venus de Milo" (Mulligan) – 3:10
05. "Budo" (Miles Davis, Bud Powell, arranged by Lewis) – 2:32
06. "Deception" (Davis, arranged by Mulligan) – 2:45
07. "Godchild" (George Wallington, arranged by Mulligan) – 3:07
08. "Boplicity" (Cleo Henry, i.e. Davis and Gil Evans, arranged by Evans) – 2:59
09. "Rocker" (Mulligan) – 3:03
10. "Israel" (Johnny Carisi) – 2:15
11. "Rouge" (John Lewis) – 3:13
12. "Darn That Dream" (Eddie DeLange, James Van Heusen, arranged by Mulligan) – 3:26.
Recording dates:
Tracks 1, 2, 5, 7 – 21 January 1949.
Tracks 4, 8, 10, 11 – 22 April 1949.
Tracks 3, 6, 9, 12 – 9 March 1950.
Recorded at WOR Studios, New York, New York.
MUSICOS:
Miles Davis – trumpet (all)
Kai Winding – trombone (January 1949)
J. J. Johnson – trombone (April 1949, March 1950)
Junior Collins – French horn (January 1949)
Sandy Siegelstein – French horn (April 1949)
Gunther Schuller – French horn (March 1950)
Bill Barber – tuba (all)
Lee Konitz – alto saxophone (all)
Gerry Mulligan – baritone saxophone (all)
Al Haig – piano (January 1949)
John Lewis – piano (April 1949, March 1950)
Joe Shulman – bass (January 1949)
Nelson Boyd – bass (April 1949)
Al McKibbon – bass (March 1950)
Max Roach – drums (January 1949, March 1950)
Kenny Clarke – drums (April 1949)
Kenny Hagood – vocal ("Darn That Dream" only).
01. Chega De Saudade
02. Desafinado
03. Samba De Una Nota Só
04. O Pato (The Duck)
05. Bolinha De Papel
06. O Amor Em Paz
07. Trev De 4 Folhas (I'm Looking Over A 4 Leaf Clover)
08. O Barquinho
09. Lobo Bobo
10. Bim Bom
11. Ho-Ba-La-La
12. A Los Pes Da Cruz
13. E Luxo Só
14. Outra Vez
15. Coisa Mais Linda
16. Este Seu Olhar
17. Trenzinho
18. Brigas Nunca Mais
19. Saudade Fez Um Samba.
CD 2:
01. Amor Certinho
02. Insensatez
03. Rosa Morena
04. Morena Boca De Ouro
05. Maria Ninguem
06. A Primeira Vez
07. Presente De Natal
08. Samba Da Minha Terra
09. Saudade Da Bahia
10. Corcovado
11. So Em Teus Bracos
12. Meditação
13. Vocé E Eu
14. Doralice
15. Discussão
16. Se E Tarde Me Perdoa
17. Um Abraço No Bonfá - (instrumental)
18. Manha De Carnaval
19. O Nosso Amor / A Felicidade.
01. I Feel Pretty [ Leonard Bernstein ]
02. I’ve grown accustomed to her face [ Lerner,Loewe ]
03. All of you [ Cole Porter ]
04. Give Me the Simple Life [ Harry Ruby/Rube Bloom ]
05. This is always [ Harry Warren/Mack Gordon ]
06. My Old Flame [ Arthur Johnston/Sam Coslow ]
07.This time the dream’s on me [Harold Arlen/Johnny Mercer ]
08. Let There Be Love [ Ian Grant/Lionel Rand ]
09. Between the devil and the deep blue sea [ Harold Arlen/Ted Koehler ]
10. How about you? [ Burton Lane/Ralph Freed ]
11. I Guess I’ll Have to Change My Plan [ Arthur Schwartz/Howard Dietz ]
12. This is always [ Harry Warren/Mack Gordon ]
13. It don’t mean a thing [ Duke Ellington/Irving Mills ]
14. The Lady’s in Love with You [Burton Lane/Frank Loesser ]
15. You turned the tables on me .(Louis Alter/Sidney Mitchell ]
16. I’ve grown accustomed to her face [ Lerner,Loewe ] .
MUSICOS:
Annie Ross - Voz
Gerry Mulligan - Saxo
Chet Baker - Trompeta(7-16)
Art Farmer - Trompeta(1-6)
Henry Grimes - Bajo(7-16)
Bill Crow - Bajo(1-6)
Dave Bailey - Batería .
Track 1-5: Recorded December 1957, NYC
Track 7-10, 13: Recorded 11 and 17 December 1957, NYC
Track 14: Recorded 17 December 1957, NYC
Track 6, 11, 12, 15, 16: previously unreleased (available only on CD of Pacific Jazz / EMI Manhattan CDP 7 46852 2).
Release Date: January 1, 1959
Original Release: February 11, 1958
Label: Pacific Jazz.
Me acabo de enterar,asi que lo comparto con vosotros,por si algunos de los que habeis por estos mundos virtuales no os habeis enterado todavía.......Nos ha dejado uno de las más grandes,sino el mas grande baterista de todos los tiempos,Paul Motian,poco tengo que decir solo que ,quiza este ahora en otra dimension riendose de nosotros y rememorando aquellos famosos conciertos en el Village Vanguard con sus amigos Bill Evans y Scott Lafaro,me gusta creer eso........
"Washington, 22 nov (EFE).- El batería de jazz Paul Motian, colaborador de estrellas como Bill Evans y Keith Jarrett, falleció hoy a los 80 años en Manhattan, informó hoy la radio pública (NPR) de EEUU.
Motian es principalmente conocido por haber formado parte del mítico trío del pianista Bill Evans junto con el bajista Scott LaFaro, con quienes grabó dos álbumes fundamentales en la historia del jazz: "Sunday At The Village Vanguard" y "Waltz For Debby", ambos en 1961.
LaFaro y Motian revolucionaron la escena del jazz al poner la sección rítmica al mismo nivel que los solistas.
En la década siguiente, el batería se unió al cuarteto del también pianista Keith Jarrett, con quien permaneció durante más de diez años y experimentó nuevos ritmos.
Motian dio, posteriormente, el salto para convertirse en líder de su propia banda, en la que tocaron músicos de la talla del saxofonista Joe Lavano o el guitarrista Bill Frisell.
En 2006, fundó la Paul Motian Band, con la que tocaba habitualmente en el prestigioso club Village Vanguard en el Greenwich Village neoyorquino, donde se le pudo ver pocas semanas antes de su muerte, y que no abandonó desde sus comienzo con Evans en 1954.
La muerte de Motian se produjo en el hospital Mount Sinai de Nueva York, a causa de una enfermedad en la médula ósea.
Nacido en Philadelphia en 1931, Motian creció en Rhode Island donde comenzó a tocar la batería con apenas 12 años, al unirse a una banda de swing. EFE.
"Noche de duelo en el Village Vanguard, el club de la 7ª Avenida de Nueva York, allí donde el bateristaPaul Motiangrabó los famosos discos en vivo con el trío de Bill Evans en 1961. Allí actuó hace apenas dos semanas, cincuenta años después, a sus ochenta.Activo hasta el último suspiro, el nombre de Paul Motian aparece en momentos, formaciones y discos capitales del jazz de estos cincuenta años.
Con su muerte, se va el campeón de sutileza, el baterista melódico, el ingeniero de un mundo sonoro que los mejores pianistas buscaron; el músico que siempre estaba ahí para dar un nuevo salto en el proceso creativo.
Motian inscribió su nombre para siempre en la historia del jazz con su inclusión en el trío de Bill Evans, en el que militó entre 1959 y 1965. Hasta entonces, en el seno del trío de jazz el contrabajo y la batería eran eficientes servidores del orador principal: su majestad el piano. Erroll Garner y, sobre todo, Ahmad Jamal marcaron líneas de evolución, pero es en el trío de Bill Evans donde se produce la emancipación real de cada uno de los instrumentistas.
De sus compañeros en concierto, el pianista Bill Evans y el contrabajista Scott LaFaro, dijo Motian: “Aquellos tipos hacían que se me saltaran las lágrimas”. Y Peter Pettinger, biógrafo de Evans, añade: “Pero si aquel dúo (Evans-Lafaro) realmente caminaba era por las intervenciones que Paul Motian intercalaba entre uno y otro”.
Década tras década, Paul Motian fue solicitado por genios del piano, sección de exploradores de nuevos territorios: Paul Bley, Keith Jarrett, Marilyn Crispell...También Albert Ayler y la Liberation Music Orchestra, de Charlie Haden y Carla Bley. Y lideró sus propias formaciones, del trío con Joe Lovano y Bill Frissell a la Electric Bebop Band.
Gracias Mr. Motian: decenas de sus discos nos esperan.
01. Warne Marsh –Smog Eyes
Written-By – Ted Brown 3:32.
02. Warne Marsh –Ear Conditioning
Written-By – Ronnie Ball 5:13
03. Warne Marsh –Lover Man
Written-By – Davis*, Sherman*, Ramirez* 4:28
04. Warne Marsh –Quintessence
Written-By – Ronnie Ball 4:14.
05. Warne Marsh –Jazz Of Two Cities
Written-By – Ted Brown 4:32.
06. Warne Marsh –Dixie's Dilemma
Written-By – Warne Marsh 4:20.
07. Warne Marsh –Tschaikovsky's Opus #42, Third Movement
Written-By – Traditional 3:59.
08. Warne Marsh –I Never Knew
Written-By – G. Khan*, T. FioRita* 5:00.
09. Warne Marsh –Ear Conditioning (Mono Master)
Written-By – Ronnie Ball 5:14.
10. Warne Marsh –Lover Man (Mono Master)
Written-By – Davis*, Sherman*, Ramirez* 4:29.
11. Warne Marsh –Jazz Of Two Cities (Mono Take)
Written-By – Ted Brown 4:39.
12. Warne Marsh –I Never Knew (Mono Take)
Written-By – Kahn*, T. FioRita*
5:09.
13. Lennie Tristano –Wow
Written-By – Lennie Tristano
3:19.
14. Lennie Tristano – Crosscurrent
Written-By – Lennie Tristano
2:48
15. Lennie Tristano – Yesterdays
Written-By – Lennie Tristano 2:45
16. Lennie Tristano –
Marionette
Written-By – Billy Bauer 3:04
17. Lennie Tristano –Sax of a Kind
Written-By – L. Tristano*, W. Marsh* 2:59.
18. Lennie Tristano – Intuition
Written-By – Lennie Tristano
2:27
19. Lennie Tristano – Digression
Written-By – Lennie Tristano
3:04.
MUSICOS:
Alto Saxophone – Lee Konitz (tracks: 13 to 19)
Bass –
Arnold Fishkin (tracks: 13 to 19),
Ben Tucker (tracks: 1 to 12)
Design –
Bau-Da Design Group
Drums –
Denzil Best (tracks: 16 to 19), Harold Granowsky (tracks: 13, 14), Jeff Morton (tracks: 1 to 12)
Engineer [Recording] –
Bunny Robyn (tracks: 1 to 12)
Guitar –
Billy Bauer (tracks: 13 to 19)
Mastered By [Reissue] – Ron McMaster.
Piano –
Lennie Tristano (tracks: 13 to 19), Ronnie Ball (tracks: 1 to 12)
Producer – Pete Rugolo (tracks: 13 to 19)
Reissue Producer – Michael Cuscuna
Tenor Saxophone – Warne Marsh.
Notes.
Lennie Tristano's historic 1949 Capitol sessions with Lee Konitz and Warne Marsh
& Marsh's 1956 classic Jazz Of Two Cities.
Tracks 1 to 8 are stereo, all other selections are mono.
The Warne Marsh album that begins this CD was issued in mono as "Jazz Of Two Cities" (Imperial LP 9027) and in stereo as "Winds Of Marsh" (Imperial LP 12013). The mono and stereo takes of "Jazz Of Two Cities" and "I Never Knew" are completely different. The second saxophone solo on "Ear Conditioning" and the piano solo on "Lover Man" differ on the stereo and mono masters. Both versions of these four tunes are therefore included here.
Tracks 1 to 4, 9 & 10 recorded on October 3, 1956 at Radio Recorders in Los Angeles.
Tracks 5 to 8, 11 & 12 recorded on October 11, 1956 at Radio Recorders in Los Angeles.
Tracks 13 & 14 recorded on March 4, 1949 in New York.
Tracks 15 recorded on March 14, 1949 in New York.
Tracks 16 to 19 recorded on May 16, 1949 in New York.
01. June In January
02. February Fiesta
03. March Wind
04. I'll Remember April
05. One Morning In May
06. June Is Busting Out All Over
07. Sleigh Ride In July
08. August Moon
09. September Song
10. Something For October
11. Swingin' In November
12. Roses In December
13. February Fiesta - Mono take
14. June Is Busting Out All Over - Mono take
15. August Moon - Mono take
16. Swingin' In November - Mono take.
MUSICOS:
Benny Carter (alto saxophone, trumpet)
Conrad Gozzo (trumpet)
Shorty Sherock (trumpet)
Pete Candoli (trumpet)
Uan Rasey (trumpet)
Al Porcini (trumpet)
Stu Williamson (trumpet)
Ray Triscari (trumpet)
Joe Gordon (trumpet)
Tommy Pederson (trombone)
Herbie Harper (trombone)
George Roberts (trombone)
Frank Rosolino (trombone)
Tommy Pederson (trombone)
Russ Brown (trombone)
Buddy Collette (reeds)
Bill Green (reeds)
Justin Gordon (reeds)
Chuck Gentry (reeds)
Jewel Grant (reeds)
Plas Johnson (reeds)
Gerald Wiggins (piano)
Arnold Ross (piano)
Larry Bunker (vibraphone, bongos)
Bobby Gibbons (guitar)
Barney Kessel (guitar)
Joe Comfort (bass)
Shelly Manne (drums).
01. Who knows?
02. Retrospection
03. B sharp blues
04. Passion flower
05. Dancers in love
06. Reflections in D
07. Melancholia
08. Prelude to a kiss
09. In a sentimental mood
10. Things ain't what they used to be
11. All too soon
12. Janet
13. Kinda Dukish
14. Montevideo
15. December blue.
MUSICOS:
Piano – Duke Ellington.
Bass – Wendell Marshall
Congas – Ralph Colier* (tracks: 14)
Drums – Butch Ballard (tracks: 1 to 12), Dave Black (tracks: 13 to 15)
Engineer [Digital Transfers] – Ron McMaster.
Reissue Producer – Michael Cuscuna, Pete Welding
Written-By – Billy Strayhorn (tracks: 4), Carl Sigman (tracks: 11), Duke Ellington (tracks: 1 to 3, 5 to 9, 11 to 15), Mercer Ellington (tracks: 10), Ted Persons (tracks: 10).
Notes:
Tracks 1 to 12 rec. Los Angeles 13 & 14/4/1953
Tracks 13 to 15 rec. NYC 3/12/1953.
01. Big Foot (Long Version)
02. Shaw 'Nuff
03. Buzzy
04. Yardbird Suite
05. Relaxin' At Camarillo
06. Confirmation
07. Billie's Bounce
08. Ko Ko
09. Barbados
10. Dewey Square
11. Moose The Mooch
12. Ornithology
13. Scrapple From The Apple
14. Salt Peanuts
15. Big Foot (Short Version).
MUSICOS:
Bud Powell, piano
George Duvivier, bass
Art Taylor, drums
Recorded in New York, New York between October 14, 1957 and January 30, 1958.
01. People Make The World Go 'Round
02. Laura
03. Django
04. Carioca Blue
05. When I Fall In Love
06. Spain
07. Come Together / Along Together
08. Tenderly
09. Hobo
10. It Takes Two
11. O Barquinho
12. Nardis
13. Danny Boy.
01- The Thrill Is Gone
02- But Not For Me
03- Time After Time
04- I Get Along Without You Very Well
05- There Will Never Be Another You
06- Look For The Silver Lining
07- My Funny Valentine
08- I Fall In Love Too Easily
09- Daybreak
10- Just Friends
11- I Remember You
12- Let's Get Lost
13- Long Ago And Far Away
14- You Don't Know What Love Is
15- That Old Feeling
16- It's Always You
17- I've Never Been In Love Before
18- My Buddy
19- Like Someone In Love
20- My Ideal.
MUSICOS:
Chet Baker : Vocals,Trumpet.
Russ Freeman : Piano.
Joe Mondragon : Bass (on 1).
Carson Smith : Bass (on 2-14).
Jimmy Bond : Bass (on 15-20).
Shelly Manne : Drums (on 1).
Bob Neel : Drums (on 2-14).
Peter Littman : Drums (on 15-17).
Lawrence Marable : Drums (on 18-20).
1. Fat Feet
2. Room 608
3. You Stepped Out of a Dream (Duo)
4. Indian Summer
5. Strike up the Band
6. Take Your Pick
7. Sweet Georgia Brown
8. Billy's Beanery
9. Safari
10. Cherokee
11. Fat Feet (Duo)
Recorded between 1956 and 1958. Includes liner notes by Adrian Ingram.
MUSICOS:
John Pisano, Billy Bean (guitar). Gene Estes (vibraphone).
Bass, Drum - unknown.
Este es uno de mis discos favoritos,ya sabeis,uno de esos que a pesar de haberlo escuchado 3476892 miles de veces no te cansas nunca de ponerlo en el reproductor de Cd´s,espero que lo disfruteis.Saludos,PPJZZ.
TRACKS:
01 No Hay Problema (No Problem)
02 In Your Own Sweet Way
03 Brother Ray
04 When You Wish Upon a Star
05 Autumn Leaves
06 While My Lady Sleeps
07 Off Minor
08 Fait Accompli
09 Summertime (Guajira)
10 Worlds I Love .
MUSICOS:
Ray Barretto : Congas,Vocal (on Summertime).
Hector Martignon : Piano.
Michael Philip Mossman : Trumpet,Trombone,Flugelhorn.
Adam Kolker : Tenor,Soprano Saxophone.
Jairo Moreno : Electric,Acoustic Bass.
Vince Cherico : Drums.
1.Bowing to Bud (Elias)
2.Copland (Mainieri)
3.Autumn Rose (Erskine)
4.Pools (Grolnick)
5.All the Things You Are/Soul Eyes (Hammerstein/Kern)
6.Uncle Bob (Grolnick)
DISC 2:
1.Dee Minor (Mainieri)
2.The Time Is Now (Elias)
3.In a Sentimental Mood (Ellington).
4.Friday Night at the Cadillac Club (Berg).
MUSICOS:
Mike Mainieri (vibraphone),
Bob Berg (saxophone),
Eliane Elias (piano),
Marc Johnson (bass)
Peter Erskine (drums).
01-Buzz
02-From Light to Light
03-Penn Station
04-Vibe
05-Green Dolphin Street
06-Miles Away
07-Staircase
08-Rendezvous
09-Crunch
10-Waxing & Waning
11-Miles Away (The Gentle Giant) - (reprise).
MUSICOS:
Donny McCaslin - Soprano & Tenor Saxophones
Aaron Helck - Alto Saxophone
Tim Hagans - Trumpet
Mike Mainieri - Vibraphone , Piano
Rachel Nicolazzo - Piano , Synthesizer
Michael Cain - Piano , Synthesizer
Adam Holtzman - Organ , Clavinet , Synthesizer , Programming
Victor Bailey - bass
James Genus - Bass
Reggie Washington - Bass
Clarence Penn - Drums.
Mike Manieri - vibraphone,synthesizer,percussion
Bendik -
saxophone
Rachel Z. -
piano, synthesizer
Jeff Andrews -
acoustic & electric basses
Steve Smith -
drums
additional musicians
Steve Khan - electric guitar on tracks 1,3,6,8,10
Chuck Loeb - rhythm guitar on track 3
Victor Bailey - electric bass on track 3
Dean Brown - guitar on track 2
Rick Margitza - tenor saxophone on tracks 1,10
Spencer Cozens - keyboards, synthesizer
Bruce Martin - add. percussion, add. synth on tracks 1,2,3
George Whitty - synthesizer on track 1
Wayne Krantz - acoustic & electric guitars on tracks 5,8
Jimi Tunnell - electric guitar on tracks 1,2,4
Alan Thompson - bass
Miles Bould - percussion,programming
01. Well, In That Case... 5:08
02. Lust For Life 4:16
03. Senegal Calling 4:58
04. Red Neon, Go Or Give 2:48
05. Charanga 5:02
06. 'Get It' 3:15
07. N.Y.C. 5:08
08. Stick Jam 4:54
09. Absolutely Maybe 3:51
10. Festival 5:08
11. Paradiso 3:01.
MUSICOS:
Mike Mainieri - Midi vibraharp,synclavier,acoustic piano,percussion.
Bendik - saxes and keyboards.
Steve Kahn - electric and acoustic guitars.
Tony Levin - electric bass and Chapman stick.
Steve Smith - drums.
additional musicians
Ray Gomez - electric guitar.
Rique Pantoja - acoustic piano.
Stephen Barber - string orchestration.
Bruce Martin - additional keyboards,Synclavier,programming,percussion.
Mass Kool And The African Posse - on track 3.
Massamba Fall - rhythmic drum.
Abdoulaye Diop - bass drum
Magatte Fall - Tama (talking drum).
01. Trains 7:31
02. Beirut 8:15
03. Cajun 6:16
04. In A Sentimental Mood 3:30
05. Magnetic Love 5:33
06. Sumo 5:50
07. All The Tea Tn China 5:05
08. Something I Said 4:23
09. Reprise Magnetic Love 1:15
MUSICOS:
Mike Mainieri - synthi-vibe,keyboards.
Michael Brecker - tenor sax,Steiner EWI,Oberheim Xpander.
Victor Bailey - bass.
Hiram Bullock - guitar.
Peter Erskine - acoustic. drums,electric drums,percussion.
Kenny Kirkland - synthesizer.
Jimmy Bralower - drum programming.
Diva Gray - background vocals.
Paul Jackson, Jr. - guitar.
Robbie Kilgore - synth programming.
Chuck Loeb - acoustic guitar,electric guitar,synths.
Scott Martin - synths.
Mitchel Forman - synths.
Janice Pendarvis - background vocals.
Warren Bernhardt - acoustic piano,synths.
Dianne Reeves - lead vocals.
Phil Ashley - synth programming,sequencing.
Andy Topeka - synthesizer.
Jocelyn Brown - background vocals.
Peter Schwimmer - banjo.
01. Safari (M.Brecker) 6:58
02. Oops (M.Mainieri) 6:20
03. Self Portrait (M.Mainieri) 6:02
04. Modern Times (W.Bernhardt) 6:17
05. Radio-Active (M.Mainieri) 8:49
06. Now You Know (P.Erskine) 6:25
07. Old Town (M.Mainieri)
MUSICOS:
Mike Mainieri - vibes, marimba, synth-vibe
Michael Brecker - tenor and soprano saxes
Warren Bernhardt - keyboards
Eddie Gomez - bass
Peter Erskine - drums
additional musicians
Chuck Loeb - guitar on track 6
Craig Peyton - Oberheim system sequence programming/DMX drums/Pro 1 bass
Tony Levin - stick on track 76:19.