"For years my fans and family have been asking me to compile a CD of my favorite love songs,” says Bridgewater, “and Midnight Sun is my ode to them. Love in all its glory – for better or for worse – as expressed by some of the most amazing songwriters of our time.
Traduccion literal por Pepejazzy:
-¡¡¡Vais a flipar en colores cuando escuchéis este disco!!!,Dee Dee Bridgewaters.
TRACKS:
01. Midnight Sun 7:22
02. Angel Eyes 5:51
03. My Ship 4:56
04. Que Reste-t-il? 4:58
05. Lonely Woman 5:21
06. Speak Low 4:17
07. I'm A Fool To Want You / I Fall In Love Too Easily 4:09
08. L'hymne A L'amour 5:04
09. The Island 3:42
10. Good Morning Heartache 5:11
11. Here I'll Stay 5:45.
01. Dream Steps
02. Stern Stuff
03. Snowbound
04. Fanfare
05. Quadrologue
06. Circus Dance
07. Pan-O-Rama
08. Furnished Flats
09. October Song
10. The Wind
11. Abstract 3
12. Tango Loco
MUSICOS:
Jim Hall - acoustic guitar, electric guitar
Mike Stern, Bill Frisell - guitar
Pat Metheny - acoustic guitar
Louise Schulman - viola, strings
Maureen Gallagher, Stephanie Fricker, Ann Roggen, Ronald Carbone - viola
Myron Lutzke, Maxine Neuman, Richard Sher, Rozlyne Clarke, Richard Locker, Eugene J. Moye - cello
Marcus Rojas - strings, tuba
Derek DiCenzo - strings, steel drum
Gil Goldstein - accordion
Joe Lovano - clarinet, soprano saxophone, tenor saxophone
Greg Osby - alto saxophone
Lew Soloff, Ryan Kisor, Jamie Finegan - trumpet
Claudio Roditi, Art Farmer, Tom Harrell - flugelhorn
Alex Brofsky - French horn
Conrad Herwig, Jim Pugh, Slide Hampton - trombone
Geoff Keezer, Kenny Barron - piano
Terry Clarke , Andy Watson - drums.
01. Red River Revel (Blade) [9:29]
02. The Undertow (Blade) [7:26]
03. Folklore (Blade) [11:05]
04. In Spite of Everything (Blade) [4:20]
05. Lifeline (Cowherd) [7:44]
06. Mohave (Blade) [9:08]
07. If You See Lurah (Blade) [4:31]
08. Loving Without Asking (Blade) [8:00]
MUSICOS:
Brian Blade - Drums, Liner Notes
Melvin Butler - Sax (Soprano), Sax (Tenor)
Jon Cowherd - Piano, Wurlitzer
Dave Easley - Pedal Steel
Mark Howard - Engineer, Mixing
Daniel Lanois - Mando-Guitar, Photography, Producer
Jeff Parker - Guitar, Guitar (Acoustic)
Christopher Thomas - Bass, Bass (Acoustic)
Myron Walden - Sax (Alto).
01. Eleanor Rigby (7:02)
02. I Wish (5:45)
03. Ben Zeppelin (0:51)
04. Black Dog (6:20)
05. Pastime Paradise (8:01)
06. Uncle Ho’s Benz (0:40)
07. Mercedes Benz (6:23)
08. Over The Rainforest (0:36)
09. Move Over (6:59)
10. Whole Lotta Love (5:15)
11. Redemption Song (5:27)
12. Sunshine Of Your Love (4:44)
13. In A Gadda Da Vida (5:22)
14. Topkapi (0:43)
15. Come Together (5:47)
MUSICOS:
Nguyên Lê: (guitar, guitars, computer);
Linley Marthe: (vocals, electric bass);
David Linx, Youn Sun Nah, Dhafer Youssef: (vocals);
David Binney: (saxophone);
Illya Amar:(vibraphone, marimba, electronics);
Stéphane Galland:(drums).
01. Simply Put 5:29
02. I Will 3:16
03. Lawns 6:32
04. Throw It Away 6:05
05. I Want To Talk About You 7:56
06. Gee Baby Ain't I Good To You 5:01
07. Johan 5:11
08. Mood Returns 4:27
09. Already September 5:32
10. You Don't Know What Love Is 6:00
11. Plain Song 5:01
12. I Loves You Porgy 3:59
MUSICOS:
John Scofield - guitar
Larry Goldings - piano & organ
Scott Colley - bass
Brian Blade - drums
01. Variation 1
02. Delancey Waltz
03. Flicker
04. Empty
05. Natalia In E Flat Major
06. Solaris
07. Requiem For A Revolution
08. Fat Man Blues
09. Bateau
10. Radio
11. Postcard From N.Y.
12. The Kid
13. Sous Le Ciel De Paris.
01.- In Your Own Sweet Way
02.- Don't Tell Me What Key
03.- Universal Lament
04.- Alone Together
05.- KnowingLee
06.- Solar
07.- Migration
08.- Thingin'/All the Things That...
09.- Trinity
10.- Body and Soul
11.- Hi Beck
12.- What is This Thing Called Love.
MUSICOS:
Dave Liebman (saxophone, soprano saxophone, tenor saxophone);
Lee Konitz (saxophone, soprano saxophone, alto saxophone);
Richie Beirach (piano).
De entrada quiero pedir disculpas a mis amigos ANALÓGICOS Drummergirl (no DepuntoGepunto),Napi y Embajador del Candombe,por no haber podido estar allí....hermanos me habéis puesto los dientes largos.
Y como no he podido disfrutar de este,nuestro encuentro analógico,como pequeño homenaje a la amistad,esta entrada va dedicada a vosotros.......
"Lo virtual Vs lo Real,¿lo real se vuelve virtual y viceversa?¿encuentros en la tercera fase virtual?o¿ citas mañaneras alrededor de unas cervezas en la mesa de un bar?………
Después de todo el revuelo que se arma en el mundo virtual con los hackers,los pederastas, los pervertidos,los locos que hay sueltos entre las redes sociales,siempre te deja espacio para la duda:
¿Sera Napiato un ser cadavérico con problemas oculares?
¿Sera Aldoux un viejo Oráculo dispuesto a satisfacer cualquier duda ancestral?
¿Tendra Lisa Murphy Simpson una descomunal ictericia y se dedicara a tocar el saxo por las tardes?
¿Sera Sivadselim un trompetista de color que anda con las manos?
¿Sera Drummergirl un ser de cuyos tentaculos sobresalgan timbales de bata y tenga un ride por corona?
¿De verdad deambulara vikingo en su Drakkar por los fiordos de Noruega en tiempo estival?
¿Sera el Embajador del Candombe un Real Batracio o sera un Principe Beige con un repique colgado?
¿Sera pepejazzy un enano jorobado y retorcido que saca del fondo de su zurrón una sierra mecánica con la cual esta dispuesto a descuartizar a cualquier persona que encuentre en su camino?
Pues no después de esas pocas veces que lo virtual encuentra lo real o viceversa te das cuenta que detrás da cada nick hay personas de carne y hueso con las mismas inquietudes que tu.
Y hoy ha sido el día del encuentro tan esperado,todo gracias a las mesitas de café que se liaban en Atresillado en torno a algún disco ,y he de decir que todos somos gente normal,buena gente,en cuanto a mi, la sierra mecánica la tengo en el taller y lo de la joroba se me esta quitando......" (extraído de Xacharlar).
Un pequeño obsequio virtual........
Para Drummergirl:
STEFANO DI BATTISTA / WOMAN´S LAND.
Calidad FLAC.
Para Don Napiato Liecher Chungo:
THOMAS NEWMAN / THE DEBT.
Calidad FLAC.
Para el Embajador del Candombe:
PABLO MIRO / MÁGICO
Calidad FLAC.
Y para un servidor,Pepejazzy:
KENNY BARRON / SAMBAO.
Calidad FLAC.
¿A que no acertais que famoso guitarrista brasileño toca en este disco?........Saludos,PPJZZ.
01. Caravan
02. The Eternal Triangle
03. Pork Chop
04. Opus one Point Five
05. Con Alma
06. Sail Away
07. Opus Number one
08. Sweet Emma
09. Saint Louis Blues
10. Line for Lyons
11. Footprints
12. The Golden Striker
13. Loose Change.
MUSICOS:
Ron Carter (Bass);
Charles Pillow (English horn);
Jerry Dodgion (soprano saxophone, alto saxophone);
Steve Wilson (alto saxophone);
Scott Robinson , Wayne Escoffery (tenor saxophone);
Jay Brandford (baritone saxophone); Jon Owens, Greg Gisbert, Alex Norris, Tony Kadleck (trumpet, flugelhorn);
James Burton III, Steve Davis , Jason Jackson (trombone);
Douglas Purviance (bass trombone); Mulgrew Miller (piano);
Lewis Nash (drums).
(A)
01. On The Nile 13:33 (Charles Tolliver)
02. Ruthie's Heart (Dedicated to my mother) 18:46 (Charles Tolliver)
03. Repetition 8:51 (Neal Hefti)
(B)
04. Impact 7:28 (Charles Tolliver)
05. Our Second Father (Dedicated to the memory of John Coltrane) 20:15 (Charles Tolliver)
06. Earl's World (Dedicated to my brother) (B) 6:24 (Charles Tolliver)
MUSICOS:
(A)
Charles Tolliver, trumpet;
Stanley Cowell, piano;
Cecil McBee, bass;
Jimmy Hopps, drums.
Recorded live at Slug's Saloon, New York City on May 1, 1970
Disc One, tracks 1-3 originally issued as CHARLES TOLLIVER MUSIC INC LIVE AT SLUGS', VOLUME ONE (Strata East SES1972)
Disc One, tracks 4-6 originally issued as CHARLES TOLLIVER MUSIC INC LIVE AT SLUGS', VOLUME TWO (Strata East SES19720)
Disc Three, tracks 1-3 are previously unissued
(B)
Charles Tolliver, trumpet,
Stanley Cowell, piano;
Clint Houston, bass;
Clifford Barbaro, drums.
Recorded at Yubinchokin Hall, Tokyo on December 7, 1973
Disc Two originally issued as CHARLES TOLLIVER MUSIC INC LIVE IN TOKYO (Strata East SES19745)
Disc Three, tracks 4-6 are previously unissued
Note:
The previously unissued Tokyo material (Disc Three, #4-6) was transferred from the audio portion of a video tape and is in mono.
(p) 1972, 1974, 2005 Strata-East Records.
01. Cancao de Amor (06:38)
02. Falling scales (07:10)
03. Before the snow (04:19)
04. Leave me a place underground (05:37)
05. The observer (06:59)
06. Off minor (05:47)
07. Newland (04:22)
08. The man who stared at coats (04:49)
09. Beyond category (04:37)
10. Tell it like it is (06:12).
MUSICOS:
Tineke Postma: alto and soprano saxophones;
Marc van Roon: Steinway grand piano, Korg MS 20 synthesizer, Fender Rhodes Mark I;
Frans van der Hoeven: double bass;
Martijn Vink: drums;
Esperanza Spalding: vocals (4).
01. Goin’ Down South (Sample) – 7:10
02. Prints Tie (Hutcherson) – 7:29
03. Jazz! (Sample) – 5:26
04. Ummh (Hutcherson) – 7:49
05. Procession (Hutcherson) – 5:46
06. A Night in Barcelona (Land) – 7:23
MUSICOS:
Bobby Hutcherson (vibraphone, marimba, percussion);
Joe Sample (piano, electric piano);
Harold Land (flute, oboe, tenor saxophone);
John Williams (bass,Fender bass);
Mickey Roker (drums).
Recorded at UA Studios, Los Angeles, California on July 15, 1970. Originally released on Blue Note (84362)
All compositions by Reuben Wilson except as indicated.
01. "Hot Rod" - 6:25
02. "I'm Gonna Make You Love Me" (Kenneth Gamble, Leon Huff, Jerry Ross) - 5:29
03. "I Say a Little Prayer" (Burt Bacharach, Hal David) - 8:08
04. "Love Bug" - 8:08
05. "Stormy" (Buddy Buie, J.R. Cobb) - 5:43
06. "Back Out" - 8:10
07. "Hold On, I'm Comin'" (Isaac Hayes, David Porter) - 7:57 Bonus track on CD reissue.
MUSICOS:
Reuben Wilson - organ
Lee Morgan - trumpet
George Coleman - tenor saxophone
Grant Green - guitar
Leo Morris - drums.
01. Kelo
02. Changing of the Guard
03. Appointment in Milano
04. Monk's Dream
05. Dark Before Dawn
06. Doublemint
07. Una Mas
08. New York
09. Crepuscule With Nellie
10. K.D.
11. Middle of the Block.
MUSICOS:
Ronnie Mathews Piano
Bobby Porcelli Sax (Alto & Baritone) Flute
T.S. Monk Drums, Producer, Main Performer
Don Sickler Flugelhorn Trumpet
Willie Williams Sax (Soprano & Tenor)
Scott Colley Bass
01. "The Kid from Red Bank" (Basie, Neal Hefti) –2:42
02. "Duet" (Hefti) –4:12
03. "After Supper" (Hefti) –3:26
04. "Flight of the Foo Birds" (Hefti) –3:24
05. "Double-O" (Hefti) –2:47
06. "Teddy the Toad" (Hefti) –3:19
07. "Whirlybird" (Hefti) –3:51
08. "Midnite Blue" (Hefti) –4:28
09. "Splanky" (Hefti) –3:36
10. "Fantail" (Hefti) –2:56
11. "Lil' Darlin'" (Hefti) –4:51
Bonus tracks
12. "Silks and Satins" (Jimmy Mundy) –4:05
13. "Sleepwalker's Serenade" (alternative take) (Hefti) –3:37
14. "Sleepwalker's Serenade" (Hefti) –3:39
15. "The Late, Late Show" (Roy Alfred, Murray Berlin) –2:52
16. "The Late, Late Show" (vocal version) (Alfred, Berlin) –3:02.
(Recorded on 21 October and 22 October 1957 at Capitol Studios, New York City.)
MUSICOS:
Count Basie — piano
Wendell Culley — trumpet
Snooky Young — trumpet
Thad Jones — trumpet
Joe Newman — trumpet
Henry Coker — trombone
Al Grey — trombone
Benny Powell — trombone
Marshall Royal — reeds
Frank Wess — reeds
Eddie Lockjaw Davis — reeds
Frank Foster — reeds
Charles Fowlkes — reeds
Eddie Jones — bass
Freddie Green — guitar
Sonny Payne — drums
Joe Williams — vocals (track 16)
Neal Hefti — arrangements (tracks 1–11)
Jimmy Mundy — arrangements (tracks 12–14).
01. Eleanor Rigby
02. Freddie Freeloader
03. Round Midnight
04. All The Children
05. The Lady In My Life
06. Angel
07. Fundance
08. New Love
09. Return Expedition
10. A Child is Born.
MUSICOS:
Stanley Jordan (guitar);
Onaje Allan Gumbs (keyboards);
Charnett Moffett (acoustic bass);
Wayne Brathwaite (electric bass);
Omar Hakim, Peter Erskine (drums);
Al di Meola (cymbals);
Bugsy Moore,Sammy Figueroa (percussion).
01. "Blind Man, Blind Man" – 8:19
02. "A Tribute to Someone" – 8:45
03. "King Cobra" – 6:55
04. "The Pleasure Is Mine" – 4:03 (incorrectly labelled as 8:00 on the CD reissue)
05. "And What If I Don't" – 6:35.
MUSICOS:
Herbie Hancock – piano
Donald Byrd – trumpet
Grachan Moncur III – trombone
Hank Mobley – tenor saxophone
Grant Green – guitar
Chuck Israels – bass
Tony Williams – drums.
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on March 19, 1963. Originally released on Blue Note (4126).
Arrangements by the composer unless otherwise noted.
01. "Move" (Denzil Best, arranged by John Lewis) – 2:32
02. "Jeru" (Gerry Mulligan) – 3:10
03. "Moon Dreams" (Chummy MacGregor, Johnny Mercer, arranged by Gil Evans) – 3:17
04. "Venus de Milo" (Mulligan) – 3:10
05. "Budo" (Miles Davis, Bud Powell, arranged by Lewis) – 2:32
06. "Deception" (Davis, arranged by Mulligan) – 2:45
07. "Godchild" (George Wallington, arranged by Mulligan) – 3:07
08. "Boplicity" (Cleo Henry, i.e. Davis and Gil Evans, arranged by Evans) – 2:59
09. "Rocker" (Mulligan) – 3:03
10. "Israel" (Johnny Carisi) – 2:15
11. "Rouge" (John Lewis) – 3:13
12. "Darn That Dream" (Eddie DeLange, James Van Heusen, arranged by Mulligan) – 3:26.
Recording dates:
Tracks 1, 2, 5, 7 – 21 January 1949.
Tracks 4, 8, 10, 11 – 22 April 1949.
Tracks 3, 6, 9, 12 – 9 March 1950.
Recorded at WOR Studios, New York, New York.
MUSICOS:
Miles Davis – trumpet (all)
Kai Winding – trombone (January 1949)
J. J. Johnson – trombone (April 1949, March 1950)
Junior Collins – French horn (January 1949)
Sandy Siegelstein – French horn (April 1949)
Gunther Schuller – French horn (March 1950)
Bill Barber – tuba (all)
Lee Konitz – alto saxophone (all)
Gerry Mulligan – baritone saxophone (all)
Al Haig – piano (January 1949)
John Lewis – piano (April 1949, March 1950)
Joe Shulman – bass (January 1949)
Nelson Boyd – bass (April 1949)
Al McKibbon – bass (March 1950)
Max Roach – drums (January 1949, March 1950)
Kenny Clarke – drums (April 1949)
Kenny Hagood – vocal ("Darn That Dream" only).
01. Chega De Saudade
02. Desafinado
03. Samba De Una Nota Só
04. O Pato (The Duck)
05. Bolinha De Papel
06. O Amor Em Paz
07. Trev De 4 Folhas (I'm Looking Over A 4 Leaf Clover)
08. O Barquinho
09. Lobo Bobo
10. Bim Bom
11. Ho-Ba-La-La
12. A Los Pes Da Cruz
13. E Luxo Só
14. Outra Vez
15. Coisa Mais Linda
16. Este Seu Olhar
17. Trenzinho
18. Brigas Nunca Mais
19. Saudade Fez Um Samba.
CD 2:
01. Amor Certinho
02. Insensatez
03. Rosa Morena
04. Morena Boca De Ouro
05. Maria Ninguem
06. A Primeira Vez
07. Presente De Natal
08. Samba Da Minha Terra
09. Saudade Da Bahia
10. Corcovado
11. So Em Teus Bracos
12. Meditação
13. Vocé E Eu
14. Doralice
15. Discussão
16. Se E Tarde Me Perdoa
17. Um Abraço No Bonfá - (instrumental)
18. Manha De Carnaval
19. O Nosso Amor / A Felicidade.
01. I Feel Pretty [ Leonard Bernstein ]
02. I’ve grown accustomed to her face [ Lerner,Loewe ]
03. All of you [ Cole Porter ]
04. Give Me the Simple Life [ Harry Ruby/Rube Bloom ]
05. This is always [ Harry Warren/Mack Gordon ]
06. My Old Flame [ Arthur Johnston/Sam Coslow ]
07.This time the dream’s on me [Harold Arlen/Johnny Mercer ]
08. Let There Be Love [ Ian Grant/Lionel Rand ]
09. Between the devil and the deep blue sea [ Harold Arlen/Ted Koehler ]
10. How about you? [ Burton Lane/Ralph Freed ]
11. I Guess I’ll Have to Change My Plan [ Arthur Schwartz/Howard Dietz ]
12. This is always [ Harry Warren/Mack Gordon ]
13. It don’t mean a thing [ Duke Ellington/Irving Mills ]
14. The Lady’s in Love with You [Burton Lane/Frank Loesser ]
15. You turned the tables on me .(Louis Alter/Sidney Mitchell ]
16. I’ve grown accustomed to her face [ Lerner,Loewe ] .
MUSICOS:
Annie Ross - Voz
Gerry Mulligan - Saxo
Chet Baker - Trompeta(7-16)
Art Farmer - Trompeta(1-6)
Henry Grimes - Bajo(7-16)
Bill Crow - Bajo(1-6)
Dave Bailey - Batería .
Track 1-5: Recorded December 1957, NYC
Track 7-10, 13: Recorded 11 and 17 December 1957, NYC
Track 14: Recorded 17 December 1957, NYC
Track 6, 11, 12, 15, 16: previously unreleased (available only on CD of Pacific Jazz / EMI Manhattan CDP 7 46852 2).
Release Date: January 1, 1959
Original Release: February 11, 1958
Label: Pacific Jazz.
Me acabo de enterar,asi que lo comparto con vosotros,por si algunos de los que habeis por estos mundos virtuales no os habeis enterado todavía.......Nos ha dejado uno de las más grandes,sino el mas grande baterista de todos los tiempos,Paul Motian,poco tengo que decir solo que ,quiza este ahora en otra dimension riendose de nosotros y rememorando aquellos famosos conciertos en el Village Vanguard con sus amigos Bill Evans y Scott Lafaro,me gusta creer eso........
"Washington, 22 nov (EFE).- El batería de jazz Paul Motian, colaborador de estrellas como Bill Evans y Keith Jarrett, falleció hoy a los 80 años en Manhattan, informó hoy la radio pública (NPR) de EEUU.
Motian es principalmente conocido por haber formado parte del mítico trío del pianista Bill Evans junto con el bajista Scott LaFaro, con quienes grabó dos álbumes fundamentales en la historia del jazz: "Sunday At The Village Vanguard" y "Waltz For Debby", ambos en 1961.
LaFaro y Motian revolucionaron la escena del jazz al poner la sección rítmica al mismo nivel que los solistas.
En la década siguiente, el batería se unió al cuarteto del también pianista Keith Jarrett, con quien permaneció durante más de diez años y experimentó nuevos ritmos.
Motian dio, posteriormente, el salto para convertirse en líder de su propia banda, en la que tocaron músicos de la talla del saxofonista Joe Lavano o el guitarrista Bill Frisell.
En 2006, fundó la Paul Motian Band, con la que tocaba habitualmente en el prestigioso club Village Vanguard en el Greenwich Village neoyorquino, donde se le pudo ver pocas semanas antes de su muerte, y que no abandonó desde sus comienzo con Evans en 1954.
La muerte de Motian se produjo en el hospital Mount Sinai de Nueva York, a causa de una enfermedad en la médula ósea.
Nacido en Philadelphia en 1931, Motian creció en Rhode Island donde comenzó a tocar la batería con apenas 12 años, al unirse a una banda de swing. EFE.
"Noche de duelo en el Village Vanguard, el club de la 7ª Avenida de Nueva York, allí donde el bateristaPaul Motiangrabó los famosos discos en vivo con el trío de Bill Evans en 1961. Allí actuó hace apenas dos semanas, cincuenta años después, a sus ochenta.Activo hasta el último suspiro, el nombre de Paul Motian aparece en momentos, formaciones y discos capitales del jazz de estos cincuenta años.
Con su muerte, se va el campeón de sutileza, el baterista melódico, el ingeniero de un mundo sonoro que los mejores pianistas buscaron; el músico que siempre estaba ahí para dar un nuevo salto en el proceso creativo.
Motian inscribió su nombre para siempre en la historia del jazz con su inclusión en el trío de Bill Evans, en el que militó entre 1959 y 1965. Hasta entonces, en el seno del trío de jazz el contrabajo y la batería eran eficientes servidores del orador principal: su majestad el piano. Erroll Garner y, sobre todo, Ahmad Jamal marcaron líneas de evolución, pero es en el trío de Bill Evans donde se produce la emancipación real de cada uno de los instrumentistas.
De sus compañeros en concierto, el pianista Bill Evans y el contrabajista Scott LaFaro, dijo Motian: “Aquellos tipos hacían que se me saltaran las lágrimas”. Y Peter Pettinger, biógrafo de Evans, añade: “Pero si aquel dúo (Evans-Lafaro) realmente caminaba era por las intervenciones que Paul Motian intercalaba entre uno y otro”.
Década tras década, Paul Motian fue solicitado por genios del piano, sección de exploradores de nuevos territorios: Paul Bley, Keith Jarrett, Marilyn Crispell...También Albert Ayler y la Liberation Music Orchestra, de Charlie Haden y Carla Bley. Y lideró sus propias formaciones, del trío con Joe Lovano y Bill Frissell a la Electric Bebop Band.
Gracias Mr. Motian: decenas de sus discos nos esperan.
01. Warne Marsh –Smog Eyes
Written-By – Ted Brown 3:32.
02. Warne Marsh –Ear Conditioning
Written-By – Ronnie Ball 5:13
03. Warne Marsh –Lover Man
Written-By – Davis*, Sherman*, Ramirez* 4:28
04. Warne Marsh –Quintessence
Written-By – Ronnie Ball 4:14.
05. Warne Marsh –Jazz Of Two Cities
Written-By – Ted Brown 4:32.
06. Warne Marsh –Dixie's Dilemma
Written-By – Warne Marsh 4:20.
07. Warne Marsh –Tschaikovsky's Opus #42, Third Movement
Written-By – Traditional 3:59.
08. Warne Marsh –I Never Knew
Written-By – G. Khan*, T. FioRita* 5:00.
09. Warne Marsh –Ear Conditioning (Mono Master)
Written-By – Ronnie Ball 5:14.
10. Warne Marsh –Lover Man (Mono Master)
Written-By – Davis*, Sherman*, Ramirez* 4:29.
11. Warne Marsh –Jazz Of Two Cities (Mono Take)
Written-By – Ted Brown 4:39.
12. Warne Marsh –I Never Knew (Mono Take)
Written-By – Kahn*, T. FioRita*
5:09.
13. Lennie Tristano –Wow
Written-By – Lennie Tristano
3:19.
14. Lennie Tristano – Crosscurrent
Written-By – Lennie Tristano
2:48
15. Lennie Tristano – Yesterdays
Written-By – Lennie Tristano 2:45
16. Lennie Tristano –
Marionette
Written-By – Billy Bauer 3:04
17. Lennie Tristano –Sax of a Kind
Written-By – L. Tristano*, W. Marsh* 2:59.
18. Lennie Tristano – Intuition
Written-By – Lennie Tristano
2:27
19. Lennie Tristano – Digression
Written-By – Lennie Tristano
3:04.
MUSICOS:
Alto Saxophone – Lee Konitz (tracks: 13 to 19)
Bass –
Arnold Fishkin (tracks: 13 to 19),
Ben Tucker (tracks: 1 to 12)
Design –
Bau-Da Design Group
Drums –
Denzil Best (tracks: 16 to 19), Harold Granowsky (tracks: 13, 14), Jeff Morton (tracks: 1 to 12)
Engineer [Recording] –
Bunny Robyn (tracks: 1 to 12)
Guitar –
Billy Bauer (tracks: 13 to 19)
Mastered By [Reissue] – Ron McMaster.
Piano –
Lennie Tristano (tracks: 13 to 19), Ronnie Ball (tracks: 1 to 12)
Producer – Pete Rugolo (tracks: 13 to 19)
Reissue Producer – Michael Cuscuna
Tenor Saxophone – Warne Marsh.
Notes.
Lennie Tristano's historic 1949 Capitol sessions with Lee Konitz and Warne Marsh
& Marsh's 1956 classic Jazz Of Two Cities.
Tracks 1 to 8 are stereo, all other selections are mono.
The Warne Marsh album that begins this CD was issued in mono as "Jazz Of Two Cities" (Imperial LP 9027) and in stereo as "Winds Of Marsh" (Imperial LP 12013). The mono and stereo takes of "Jazz Of Two Cities" and "I Never Knew" are completely different. The second saxophone solo on "Ear Conditioning" and the piano solo on "Lover Man" differ on the stereo and mono masters. Both versions of these four tunes are therefore included here.
Tracks 1 to 4, 9 & 10 recorded on October 3, 1956 at Radio Recorders in Los Angeles.
Tracks 5 to 8, 11 & 12 recorded on October 11, 1956 at Radio Recorders in Los Angeles.
Tracks 13 & 14 recorded on March 4, 1949 in New York.
Tracks 15 recorded on March 14, 1949 in New York.
Tracks 16 to 19 recorded on May 16, 1949 in New York.
