TRACKS : CD 1 01. Eu vim da Bahia 02. Menino do Rio 03. De conversa em conversa 04. Una mujer 05. Pra que discutir con Madame 06. Rosa morena 07. Eclipse 08. Farolito 09. isto aqui o que è. 10. Fala 11. Coraçao vagabundo 12. Pra ninguem 13. Trilhos urbanos 14. Manhata. 15. Voce e linda 16. Lamento borincano 17. Luz do sol CD2 01. Fala 02. Acontece que sou baiano 03. Avarandado 04. Bahia com H 05. Besame mucho 06. Meditaçao 07. Doralice 08. Ave Maria no morro 09. O pato 10. Desafinado 11. Chega de saudade 12. Garota de Ipanema 💙💙💙💙💙
TRACKS : 01. Isto Aqui O Que E 02. De Conversa Em Conversa 03. Pra Que Discutir Com Madame 04. Malaga 05. Estate 06. La Vem A Baiana 07. Corcovado (Quiet Nights Of Quiet Stars) 08. Doralice 09. Rosa Morena 10. Desafinado 11. Saudade Da Bahia 12. O Prato 13. Chega De Saudade 14. Garota De Ipanema MUSICOS : João Gilberto (guitar, vocals)
TRACKS : 01. Eu Sei Que Vou Te Amar Written-By – Tom Jobim*, Vinicius De Moraes 3:43 02. Desafinado Written-By – Tom Jobim*, Newton Mendonça 04:07 3. Você Não Sabe Amar Written-By – Carlos Guinle, Dorival Caymmi, Hugo Lima (2) 2:19 04. Fotografia Written-By – Tom Jobim* 2:21 05. Rosa Morena Written-By – Dorival Caymmi 3:16 06. Lá Vem A Baiana Written-By – Dorival Caymmi 2:21 07. Pra Que Discutir Com Madame Written-By – Haroldo Barbosa, Janet De Almeida 2:53 08. Isto Aqui O Que É? Written-By – Ary Barroso 3:03 09. Meditação Written-By – Tom Jobim*, Newton Mendonça 3:11 10. Da Cor Do Pecado Written-By – Bororó 2:32 11. Gaucyra Written-By – Hekel Tavares, Juracy Camargo* 1:34 12. Se É Por Falta De Adeus Written-By – Tom Jobim*, Dolores Duran 2:46 13. Chega De Saudade Written-By – Tom Jobim*, Vinicius De Moraes 3:18 14. A Valsa De Quem Não Tem Amor Written-By – Custódio Mesquita, Evaldo Rui Barbosa* 1:49 15. Corcovado Written-By – Tom Jobim* 2:28 16. Estate Written-By – Bruno Brighetti, Bruno Martino 2:12 17. O Amor Em Paz Written-By – Tom Jobim*, Vinicius De Moraes 2:50 18. Aos Pés Da Cruz Written-By – Marino Pinto, Zé Da Zilda 2:14 MUSICOS : Guitar – Joao Gilberto
TRACKS : 01. A Felicidade (Tom Jobim/Vinicius de Moraes) 02. Desafinado (Tom Jobim/Newton Mendonça) 03. Insensatez (Tom Jobim/Vinicius de Moraes) 04, Este Seu Olhar (Tom Jobim) 05, Chega de Saudade (Tom Jobim/Vinicius de Moraes) 06, Meditação (Tom Jobim/Newton Mendonça) 07, Samba de Uma Nota Só (Tom Jobim/Newton Mendonça) 08, O Nosso Amor (Tom Jobim/Vinicius de Moraes) 09. O Amor Em Paz (Tom Jobim/Vinicius de Moraes) 10. Só Em Teus Braços (Tom Jobim) 11. Corcovado (Tom Jobim) 12. Discussão (Tom Jobim/Newton Mendonça) 💙💙💙💙💙
TRACKS : 01. Aguas De Marco 02. Undiu 03. Na Baixa Do Sapateiro 04. Avarandado 05. Falsa Baiana 06. Eu Quero Um Samba 07. Eu Vim Da Bahia 08. Valsa (Como Sao Lindos Os Youguis) (Bebel) 09. E Preciso Perdoar 10. Izaura - Joo Gilberto, Micha 💙💙💙💙💙
TRACKS : 01 The Girl From Ipanema 02 Doralice 03 Para Machuchar Meu Coração (To Hurt My Heart) 04 Desafinado 05 Corcovado (Quiet Nights Of Quiet Stars) 06 So Danço Samba (I Only Dance Samba) 07 O Grande Amor 08 Vivo Sonhando (Dreamer) 09 The Girl from Ipanema [45 Version] 10 Corcovado (Quiet Nights of Quiet Stars) [45 Version] MUSICOS : Stan Getz – tenor saxophone João Gilberto – guitar, vocals Antônio Carlos Jobim – piano Sebastião Neto – double bass Milton Banana – drums, pandeiro Astrud Gilberto – vocals on "The Girl from Ipanema", "Corcovado", "The Girl from Ipanema" (45 rpm issue) and "Corcovado" (45 rpm issue) 💙💙💙💙💙
TRACKS : 01. Os Cariocas-Só Danço Samba 02. Tom Jobim & Os Cariocas-Samba De Uma Nota Só 03. João Gilberto & Os Cariocas-Corcovado 04. Vinicius De Moraes-Samba Da Bênção 05. João Gilberto & Os Cariocas-O Amor Em Paz 06. Os Cariocas-Bossa Nova E Bossa Velha 07. Tom Jobim & Os Cariocas-Samba Do Avião 08. Vinicius De Moraes & Os Cariocas-O Astronauta 09. João Gilberto-Samba Da Minha Terra 10. João Gilberto-Insensatez 11. João,Tom & Vinicius-Garota De Ipanema 12. João Gilberto & Os Cariocas-Só Danço Samba 13. João Gilberto,Tom Jobim,Vinicius De Moraes,Os Cariocas,Otávio Bailly & Milton Banana-Garota De Ipanema; Só Danço Samba; Se Todos Fossem Iguais A Você. Recorded live at Au Bon Gourmet, Copacabana, Rio de Janeiro in 1962. MUSICOS : Bass – Otávio Bailly Directed By – Aloysio De Oliveira Drums – Milton Banana Guitar, Vocals – João Gilberto, Os Cariocas Piano, Vocals – Tom Jobim Vocals – Vinícius De Moraes
TRACKS : 01 - O Samba da Minha Terra 02 - O Barquinho 03 - Bolinha de Papel 04 - Saudade da Bahia 05 - A Primeira Vez 06 - O Amor em Paz 07 - Voce e Eu 08 - Trem de Ferro - Tremzinho 09 - Coisa Mais Linda 10 - Presente de Natal 11 - Insensatez 12 - Este Seu Olhar MUSICOS : Acoustic Guitar [Violão], Voice – João Gilberto Arranged By, Piano [Uncredited] – Antonio Carlos Jobim (tracks: A2, A5, A6, B1, B3, B4, B5) Ensemble – Antonio Carlos Jobim & Orchestra (tracks: A2, A6, B3, B5), Walter Wanderley & Seu Conjunto (tracks: A1, A3, A4, B2, B4)
TRACKS : 01 - Samba de Uma Nota So 02 - Doralice 03 - So em Teus Bracos 04 - Trevo de Quatro Folhas 05 - Se e Tarde Me Perdoa 06 - Um Abraco no Bonfa 07 - Meditacao 08 - O Pato 09 - Corcovado 10 - Discussao 11 - Amor Certinho 12 - Outra Vez 💙💙💙💙💙
TRACKS : 01. Chega de Saudade 02. Lobo Bobo 03. Brigas Nunca Mais 04. Ho-Ba-la-la 05. Saudade Fez un Samba 06. Maria Ninguem 07. Desafinado 08. Rosa Morena 09. Morena Boca de Ouro 10. Bim Bom 11. Aos Pes da Cruz 12. E Luxo So 💙💙💙💙💙
TRACKS : I 78 Rpm : 01 - Quando Voce Recordar 02 - Amar e Bom II 78 Rpm : 01 - Anjo Cruel 02 - Sem ela MUSICOS : Garotos da Lua som : Jonas Silva, Acyr Bastos Mello, Milton Silva, Alvinho Sena, Toninho Botelho, João Gilberto.
The jazz-inflected Brazilian pop style known as bossa nova remains a permanent fixture of the world's musical vocabulary with its restrained yet complex rhythms; the biggest of all the bossa nova hits, "The Girl from Ipanema," is known to nearly all Americans born before 1960 and to many younger people. One of the creators of that song, and of the entire bossa nova movement, was the singer and guitarist João Gilberto—whose wife Astrud was the vocalist on "The Girl from Ipanema." The U.S. jazz trumpeter Miles Davis, quoted in The Brazilian Sound, said that Gilberto "would sound good reading a newspaper," but he was equally influential as a guitarist. João Gilberto do Prado Pereira de Oliveira was born on June 10, 1931, in the small city of Juázeiro in the interior of Brazil's northeastern Bahia state. He seemed attracted to music early in life but did not begin playing until age 14, when his grandfather gave him a guitar. Within a year, despite his father's disapproval, he was leading a band composed of fellow students. The sound of U.S. big-band jazz had penetrated to Brazilian radio by the 1940s, and Gilberto grew up with the music of Duke Ellington and Tommy Dorsey in addition to Brazilian pop songs and samba music. A less common influence was the crisp, operetta-flavored style of U.S. pop singer Jean-nette MacDonald. In 1949 Gilberto headed for the city of Salvador, Bahia's urban center, in hopes of launching a musical career. He went on to the metropolis of Rio de Janeiro a year later. His attempts to land a radio vocal slot were unsuccessful, and a local band jettisoned him as its lead vocalist due to a halfhearted attitude on Gilberto's part that sometimes led him to skip live performances. Even after success came his way, Gilberto remained reluctant to perform in public. Well before the hipster era, Gilberto embarked on a creative but rootless existence marked by heavy marijuana usage. Technically homeless at times, Gilberto performed in nightclubs when it suited him and gained a circle of friends that included several of the future stars of Brazilian music—notably vocalist Luiz Bonfa and pianist and composer Antonio Carlos Jobim. Concerned that Gilberto might be sinking into a downward spiral, a friend intervened and took him to the smaller city of Porto Alegre. Soon Gilberto moved in with his sister and began to spend much of his time practicing his guitar and singing obsessively. Mystified by his behavior, Gilberto's family checked him into a mental hospital in Salvador. Soon released, he for-swore drug usage. Back in Rio, Gilberto began writing songs and sought out Jobim as a collaborator. In the solitude of his sister's home Gilberto had forged a new style that distilled many of Brazil's complex percussion rhythms down to an essential set of patterns that could be played on the guitar; his sound was unlike anything heard before on the guitar in Brazil, where the instrument had largely been relegated to the role of accompaniment until this point. Some called it violão gago, or "stammering guitar." He had a unique vocal style to match, marked by a near-total absence of vibrato that infused his quiet singing with a unique conversational quality. Gilberto was also influenced by contemporary harmonic developments in American jazz, particularly by the West Coast musicians whose "cool" aesthetic meshed well with the inherent mood of Brazilian music. Jobim at the time was working as a staff arranger with the large EMI record label, and the two began to shape a popular-music revolution. By 1958 and 1959 Gilberto was enjoying hits with recordings such as "Chega de saudade" ("No More Blues") and the self-penned "Bim Bom." He also contributed songs to one of the landmarks of Brazilian culture during that period, the film Orfeu negro, known in the United States as Black Orpheus. By this time the new music Gilberto had helped to create had acquired the name of bossa nova, or "new wave." And, influenced by American jazz, it had begun to attract the attention of American jazz players in return. Jazz guitarist Charlie Byrd visited Brazil on a U.S. State Department tour, and in 1962 Byrd and saxophonist Stan Getz released the album Jazz Samba, featuring some of Gilberto's compositions. With the bossa nova trend on the upswing that year, Gilberto moved to the United States himself; he remained in the States until 1980. In 1963 he and Getz released the album Getz/Gilberto, a jazz classic that offered mid-1960s jazz listeners one of their few alternatives to the experimental modernism that dominated jazz stages at the time. The album's most famous number was the JobimVinícius de Moraes composition "The Girl from Ipanema." With English lyrics added to the original Portuguese, the song appealed in novel ways to Americans' age-old fascination with tropical cultures. "The Girl from Ipanema" won a Grammy award in 1964 for Song of the Year, beating out the Beatles' "A Hard Day's Night," and Getz/Gilberto was named Album of the Year. The bossa nova craze endured for several more years in the United States, and its impact could still be heard two decades later in recordings such as Sade's "Smooth Operator." But Gilberto, temperamentally unsuited to the stardom he achieved, shared little in the rewards other Brazilian musicians enjoyed; he canceled the remaining eight nights of a nine-night engagement at Chicago's London House, objecting to the club's noise levels. Still, Gilberto continued to record through the 1970s and 1980s, amassing a body of work that enjoyed consistently strong critical acclaim. Joined in the musical arena in the 1990s by his daughter, Bebel, Gilberto hardly slowed down as he entered his seventh decade. His 1991 album João Gilberto featured the singer in an uncommon orchestral setting. But he returned in 2000 with João voz e violão, which featured only Gilberto's own voice and guitar and was widely described as minimalist. In support of that album and of the 40th anniversary of his first bossa nova recordings, Gilberto undertook one of his rare concert tours; it was enthusiastically received by audiences eager for a glimpse of one of the twentieth century's true musical creators.
TRACKS : 01. Samba De Uma Nota So 02. Desafinado 03. Tonight I Shall Sleep With A Smile On My Face 04. Grandfather's Waltz 05. Stan's Blues 06. O Pato 07. Samba De Minha Terra 08. Bim Bom 09. Meditation 10. Un Abraco No Bonfa 11. Meditacao 12. A Felicidade 13. The Singing Song 14. Here's That Rainy Day 15. Summertime 16. Six-Nix-Quix-Flix Recorded live at Carnegie Hall on October 9, 1964. MUSICOS : Tenor Saxophone – Stan Getz Guitar – João Gilberto Vibraphone – Gary Burton Bass – Gene Cherico,Keter Betts Drums – Hélcio Milito,Joe Hunt Vocals – Astrud Gilberto,João Gilberto.
Jazz y Bossa, Bossa y Jazz fundidos en uno, haciéndose el amor mutuamente. Una mezcla perfecta. Joao Gilberto,uno de los creadores de la Bossa, se une a uno de los máximos exponentes del jazz mundial y un saxofonista magnífico Stan Getz, para hacer uno de los mejores álbumes hechos jamás. El álbum Getz/Gilberto, ganó dos premios Grammy en 1965, el de mejor álbum y el de mejor single, superando a Los Beatles con su tema “A Hard Day’s Night”. Esto fue sin duda una victoria para el jazz y la bossa-nova y derivó en la propagación de esta música entre millones de personas, allanando el camino para que la música brasileña y sus instrumentos se sumaran al jazz.(Fuente MusicCenter)
TRACKS :
01. Girl From Ipanema 02. Doralice 03. Para Machuchar Meu Coracao 04. Desafinado 05. Corcovado (Quiet Nights Of Quiet Stars) 06. So Danco Samba 07. O Grande Amor 08. Vivo Soñando (Dreamer). 09. The Girl from Ipanema (45 rpm issue) 10 - Corcovado (Quiet Nights of Quiet Stars) (45 rpm issue).
MUSICOS :
Antonio Carlos Jobim (piano) Astrud Gilberto (vocals) Joao Gilberto (vocals, guitar) Milton Banana (drums) Stan Getz (tenor saxophone) Tommy Williams (bass)
01. Chega De Saudade
02. Desafinado
03. Samba De Una Nota Só
04. O Pato (The Duck)
05. Bolinha De Papel
06. O Amor Em Paz
07. Trev De 4 Folhas (I'm Looking Over A 4 Leaf Clover)
08. O Barquinho
09. Lobo Bobo
10. Bim Bom
11. Ho-Ba-La-La
12. A Los Pes Da Cruz
13. E Luxo Só
14. Outra Vez
15. Coisa Mais Linda
16. Este Seu Olhar
17. Trenzinho
18. Brigas Nunca Mais
19. Saudade Fez Um Samba.
CD 2:
01. Amor Certinho
02. Insensatez
03. Rosa Morena
04. Morena Boca De Ouro
05. Maria Ninguem
06. A Primeira Vez
07. Presente De Natal
08. Samba Da Minha Terra
09. Saudade Da Bahia
10. Corcovado
11. So Em Teus Bracos
12. Meditação
13. Vocé E Eu
14. Doralice
15. Discussão
16. Se E Tarde Me Perdoa
17. Um Abraço No Bonfá - (instrumental)
18. Manha De Carnaval
19. O Nosso Amor / A Felicidade.
